History of Interior Design II

Concept Board

 

Historical Design Study – American Colonial Revival in Olathe KS

 

 The object of this historical study is this residence located in Olathe, Kansas. Olathe is a suburban area within the Kansas City metropolitan region known for large single-family homes likely built in the late twentieth and early twenty-first century. Houses in this region
often reflect revival styles, and historical architectural forms are adapted to modern living. The home of this study presents a large symmetrical façade, central entrance in the side￾gabled structure, flanked by both side brick chimneys, white clapboard-style siding, dark
decorative shutters, and dormer windows. These elements are modern interpretation of Colonial Revival tradition; a style widely used in American residential architecture during the 20th century. Colonial Revival houses draw inspiration from earlier buildings of the
eighteenth century, especially Georgian and Federal architecture. 

 The strongest stylistic influence in the house is Colonial Revival, a movement that became popular in the United States beginning in the late nineteenth century and continuing throughout the twentieth century. Architects of this movement sought to reinterpret early American colonial architecture as a symbol of national heritage and tradition. Several architectural elements in this house support this classification. First, the façade demonstrates a clear bilateral symmetry, with evenly spaced windows and a centrally placed entrance, a defining characteristic of Colonial Revival homes. Second, the exterior uses white horizontal siding clapboard style paired with black decorative shutters, a color combination historically associated with colonial houses in New England American Colonies. Third, the house includes multi-pane double-hung windows, which replicate the window proportions commonly used in eighteenth-century colonial residences. Together, these elements strongly indicate the influence of the Colonial Revival movement. 

 Within Colonial Revival architecture, the house specifically reflects Georgian colonial influence, which was prevalent in British North America between approximately 1700 and 1780. Georgian architecture emphasized order, balance, and classical proportions. One element supporting this influence is the side-gabled roof with a symmetrical façade, which is typical of Georgian houses. Another key feature is the central entrance with a small pediment above the doorway, derived from classical Greco-Roman temple architecture that Georgian designers admired. A third characteristic is the presence of paired end chimneys made of brick, positioned symmetrically along the roofline. In colonial houses
these chimneys served fireplaces located on both sides of the house and were essential for heating before central heating systems existed. These elements together reinforce the Georgian colonial heritage that Colonial Revival architects frequently referenced.

 Although the house references eighteenth-century colonial design, it also reflects modern suburban adaptations that distinguish it from an authentic colonial structure. One notable feature is the presence of multiple gabled dormer windows, which provide additional
usable space and natural light to upper-level rooms. While dormers existed historically, their frequent and symmetrical use is particularly characteristic of twentieth-century Colonial Revival homes. Another modern adaptation is the extended wings on both sides of
the central block, which increase interior square footage and accommodate garages or additional living spaces, which are features not common in original colonial houses. Finally, the large landscaped front yard and driveway reflect modern suburban planning, emphasizing automobile access and expansive private property rather than the compact urban lots common in early colonial towns.

 The combination of Colonial Revival and Georgian influences in this house works effectively to create a residence that appears traditional, balanced, and visually stable. The symmetrical façade, classical doorway, and twin chimneys evoke historical American architecture, while the larger scale and added wings allow the home to meet contemporary living needs. What is particularly interesting is how designers reinterpret historical styles rather than replicate them exactly. This house reflects the past while still functioning as a modern suburban home. The blending of historical references with modern construction demonstrates how architecture can communicate cultural heritage while adapting to new
social conditions. Overall, the influences work well together, creating a cohesive and recognizable architectural identity. Studying this house highlights how revival styles help preserve historical design language while allowing flexibility for modern life.

History of Interior Design II - Summary

Throughout the semester, I developed a deeper understanding of how interior design is a reflection of historical context, human behavior, and technological progress. This course explored the evolution of interior design from historical revival styles to the foundations of modern and postmodern design.

Through a chronological study of major movements that shaped interior design styles from Baroque period to post-modernism, examined how interiors respond to cultural values, technological advancements, and social change.

The course began with highly ornamental styles like Baroque and Rococo, where design expressed power, movement, and luxury. It then transitioned into more rational and structured approaches in Neoclassical and Georgian design, reflecting a return to order and classical ideals.

The study of the Victorian period revealed a complex intersection between craftsmanship and industrialization, where mass production expanded access to design while maintaining a language of ornament and status.

Later movements such as Arts & Crafts and Art Nouveau emphasized a reaction against industrialization, valuing handcraft, nature, and artistic expression. This shift laid the groundwork for Modernism, where function, simplicity, and new materials redefined interior space.

Finally, the course addressed Art Deco, Modernism, and Postmodern/After Modernism, highlighting the evolution toward abstraction, innovation, and diverse design identities in contemporary practice.

Design is a reflection of cultural, social, and economic conditions, evolving over time from ornament to function and, ultimately, to conceptual expression. Throughout this progression, a strong connection between craftsmanship and technology has remained essential. Understanding this history allows designers to make more intentional and meaningful design decisions.